Its more thematically consistent, and has some wonderful selections; Im glad I read it, but as a collection of stories, I still prefer.
This anthology brings together the work of writers such as Le Fanu, Hawthorne, Hardy, Faulkner, and Borges with their earliest literary forebears, and emphasizes the central role of women writers from Anna Laetitia Aikin to Isabel Allende and Angela Carter.
The Oxford Book of Gothic Tales.Edith Nesbits Hurst of Hurstcote (1893) was a classic ghost story, and a good one.Modern Gothic is distinguished by its imaginative variety of voice, from the chilling depiction of a disordered mind to the sinister suggestion of vampirism.Lovecrafts The Outsider (1926) not one of my favorites; Ambrose Bierce, Clark Ashton Smith, Joyce Carol Oates herself.One can see both why the literati hated gothic fiction, and why its fans devoured.Was it the evil scientist Rappaccini?We know he picked Rappaccinis Daughter rather than create circle logo in photoshop cs6 Young Goodman Brown and Man of Adamant for expert advisor builder deutsch uniblue speedupmypc 2011 keygen Hawthorne; The House of Usher instead of The Black Cat for Poe."But sometimes when I wake in the grey morning, and between waking and sleeping, think of all those things that I must shut out from my sleeping and waking thoughts, I wonder was I right or was he?I would guess Kerfol rather than Afterward for Edith Wharton.A Chapter in the History of the Tyrone Family (1839 which I posted about recently.
The second piece in the collection begins with the sentence A Portuguese gentleman was lately brought to trial for poisoning his half sister by the same father, after she was with child by him.
The Ghostly Rental or perhaps The Jolly Corner instead of The Romance of Certain Old Clothes for Henry James.
The same breathless run-on sentences, the same complete disregard for narrative logic so that the story can make its way through the same obligatory checklist.
Beatrice was the innocent but were there any good guys?
Oxford University Press, originally published 1992; Second edition 2009.Hawthornes Rappaccinis Daughter (1844) stood out for me as well; it reminded me a bit.T.A.I liked the ambiguity that surrounded the characters moral stature in the tale.I loved Angela Carters reinterpretation of Sleeping Beauty, The Lady of the House of Love (1970).By which I mean, all the gothic tales of this period run through the same list of required motifs (clammy disembodied hand, mouldering castle, full moon, evil monk, dead or abducted beloved woman, blah blah blah bad erotica, naturally, has a different requirements list.